Consider this a shout out to some friends doing fine work that y’all might enjoy.
An aside — or not really: the early to mid 1980s are sometimes referred (by a highly specialized group of folks, to be sure) as “the Golden Age” of American science writing. By that we usually mean that there was, briefly, a robust and seemingly ever-expanding ecosytem of newspaper science desks and science magazines (Discover — my alma mater —Science 198x, Science News, Omni and so on) aimed a general audience that seemed to crave focused reporting on really just about anything to do with science. The tech boom that followed a few years later, brought with it a second wave of venues, places riding the tech zeitgeist, like the much-missed Mondo 2000 and Wired, along with technically literate business rags like The Red Herring and many more.
Now look at us. Discover is still with us, on its fourth or fifth owner since Time Inc. gave up on it. Newspaper science sections have almost entirely disappeared, and hundreds of staff science reporting jobs are gone. That’s what some people point to when bemoaning the state of public knowledge about climate change, for example, or vaccine denialism…and so on.
But while all that’s true — there has been a collapse of venues (and employment) for science writers schooled, as I was, in the pre-digital journalism world — the reality is that right now is the best time I recall for readers of science writing. There is more available through more channels and conduits than anytime in my working life, and lots and lots of it is smart, literate, important. What’s more, new venues are appearing that offer spaces for both longer and more varied, more expansive kinds of writing — and some of them, at least, are trying hard to pay their writers enough to make this kind of work something that accumulates into careers.
For example — I’ve been loving the work they do at Atavist and at Matter* too, not to mention an ebook by one of my former students published by The Atlantic (excerpt here), or the Pulitzer Prize winning journalism by a team that included another one of the fabulous alumnae of the Graduate Program in Science Writing aat MIT [not bragging. Not me] and I’m leaving out many others, one’s I’ll get back to as I do this kind of post again.
For now, let me point you to a new kid on the block, Aeon Magazine, which, unlike Atavist or Matter, doesn’t charge for its pieces. Aeon publishes a long-read every day, each somehow connected with science, and I’ve found it to be an insistent time-sink, really remarkably so for such a recently arrived party to the conversation.
For example, check out this. Yesterday, Virginia Hughes put up one of the most impressive pieces I’ve read in a long time, a very thoughtful, emotionally rich, intellectually challenging piece on research into the effects on the kids involved of the horrific regimen they experienced and are experiencing now in Romanian orphanages.
Virginia made this piece significant, as opposed to merely affecting, through her carefully framed account of the ethics of running controlled studies on subjects in such straits. That’s interwoven with the science involved, and a deeply felt sense of the human cost of doing this kind of research for both subject and scholar. Really a fine piece of writing. Here’s a brief sample:
Nelson had warned me several times about the emotional toll of meeting these children. So I was surprised, during our debrief, to hear him say that our visit had upset him. Turns out it was the first time that he had been to an orphanage with older teenagers, not all that much younger than his own son. ‘I’m used to being really distressed when I see all the little babies, or the three- and four-year-olds,’ he said. ‘But here, I almost had to leave at one point, to get myself some air. Just the thought of these kids living like this, it was really depressing.’
How does he do this? I wondered.
Go read the rest.
Then marvel at the sheer elegance of ant society and the almost classical account of hubris and potential tragedy to be read in Ed Yong’s story, “Ant Farm.”