I never got around to seeing the original Ghostbusters, so it’s hard for me to understand why keeping it a precious, stand-alone trophy is so very important to certain critics. (I mean, I was just as outraged by the indecencies Disney committed against one of my iconic creators with the first Jungle Book, but I was still in middle school then.) This is pretty funny, though: In McSweeneys, Samuel Priest explains “No, I Don’t Dislike the New Ghostbusters Movie Because I Hate Women — It’s Because I Strongly Believe In Hollywood Finance Reform”…
… Of course we’re ready for a comedy-action movie with female leads. And of course, we’re overdue… but I think we need to wait for the RIGHT new Ghostbusters movie, not just ANY Ghostbusters movie. The women in the new Ghostbusters movie have a lot of good comedy experience, yes, of course. But over the last 20 years, I can find a few examples of them not being funny, especially when you take those moments out of context.
Now, if Elizabeth Warren and Jill Stein and Michelle Obama make a new Ghostbusters in a hypothetical four or eight years from now, I could get behind that idea. That vague notion that wouldn’t hold up under any scrutiny for a variety of reasons is CLEARLY a better option than this new Ghostbusters movie made by competent people that’s seemingly ready to be shown any minute now.
I also know a couple women who would agree with me on the things I’m saying, so again, I think that proves I’m not sexist or misogynist. This new Ghostbusters movie just isn’t for me and I think everything should be for me. Will this movie just existing inspire young women to get involved with making their own Ghostbusters movies at state and local theater levels? I don’t know, is representation in media and government even important?…
And you can tell it’s unbiased and nonpartisan, because it was written by a man.
When beloved celebrities of color die, there’s a particular way that the media likes to remember them that lauds the deceased’s legacy of somehow having “transcended” their race.
In the days following both Prince and Muhammad Ali‘s deaths, both men were remembered for the ways in which they “defied conventional notions of race” and made it so that their color and religion were nearly invisible. For the record, Prince was unabashedly proud of his blackness and Ali was widely known for the ways in which his blackness deeply informed his personal and social politics.
Still, though, for many celebrities of color (both living and dead) positive media coverage often goes hand in hand with the intentional downplaying or erasure of their race.
With that depressing fact in mind, Los Angeles Times editor Dexter Thomas built Un-Transcender, a handy little Chrome extension that will scan through any articles you bring up in the browser and replace the words “transcended race” with “was retroactively deemed safe by white people.”
I know everyone says they laugh our loud when they see stuff like this, but I actually hurt my self with a deep belly laugh when I saw this.
Second, I love movies and television in general, so I found this very interesting.
Speaking of video games, I just finished the final expansion and end of the series for the Witcher, Witcher 3, Blood and Wine. I loved everything about this game, from the play style, to the story line, to even the dreaded cinematic cut scenes. It’s just a beautiful game.
I easily put this game up there with the original Deus Ex, Knights of the Old Republic, Vampire the Masquerade: Bloodlines, and the Baldur’s Gate series.
As to games I am following closely for their release, I have pre-purchased the Technomancer (because it was on sale and I knew I was going to buy it and I have 2 adult men, myself, three dogs, and a cat to feed and someone is always getting sick or injured every payday), Seven: The Days Long Gone, Cyberpunk 2077 from the guys who made the Witcher seriers, the new Deus Ex, the second Divinity: Original Sin, and finally, this joyous news:
@Johngcole If you mean the tabletop VTM, we're still making it! If you mean Bloodlines, @wwpublishing is working on a new VTM game.
https://www.balloon-juice.com/wp-content/uploads/2015/11/balloon_juice_header_logo_grey.jpg00John Colehttps://www.balloon-juice.com/wp-content/uploads/2015/11/balloon_juice_header_logo_grey.jpgJohn Cole2016-06-07 18:08:452016-06-07 18:16:56Fun Stuff on the Internets
Balloon Juice commenter lamh36 posted her final thoughts on the recently aired remake of Roots as a comment last night. I asked her if we could put it up as a guest post because I think it deserves to be seen by more than those who happened to be commenting on one particular post on Friday night. She graciously said yes and sent me the link to where she’d posted it on her own blog. She also has a very interesting post about the Roots remake that she posted before it had aired, so make sure to click through and check that one out too. Lamh36’s post viewing remarks on Roots are below.
So, yesterday I watched the finale of the Roots tv reboot.
Here are my final final reflections.
So, you may already know, I wasn’t gonna watch…then thanks to blogger Awesomely Luvvie ( On ROOTS Reimagined and Retelling This Classic Story) and other folk I respect I decided to give it a chance. I never saw the original. Usually, I shy away from this type of drama because unless you are a heartless bastard it sticks with you and unless you are a ditzy absentminded sort of person it lingers in your mind even after watching…but I disregarded my usual aversion and I watched episode one.
So first of all, History channel did a GREAT job of filling in some of the holes in the story, that folks expressed about Haley’s original book with facts, figures and real life events of the time. In fact, even though it was based on Haley’s book and ancestors, they stuck to the story Haley told, but interspersed the personal family story, with a History channel style reenactments of real life events and happenings of the time in which the story was set (if you followed them on twitter, they also sent out factoids about the time and the people during the commercial breaks, and also with blurbs at the end of scenes with significant historical impact).
Another thing I applauded, was that unlike with the orignal mini-series, they didn’t go for ANY stunt casting (no white sitcom stars or black pro-athletes in this one). Instead, other than for a couple of the iconic roles (i.e. Fiddler, Kizzy, Tom Lea…) the cast was made up of new, and hopefully, up and coming young actresses and actors of color, including some for whom the show was their very first real acting job (US or otherwise). The standouts including Malachi Kirby as Kunta Kinte, Regé-Jean Page as Chicken George, Erica Tazel as Matilda, and a number of other younger actresses and actors. The casting for the series was really good.
As I expected, each and every scene lingered. but as I watched the first ep and the second ep…I began to see this NOT as a story of victim hood, or airing grievances against white people (though to be fair from this family’s saga standpoint and millions of others who were slaves…the grievances against white folks were valid and should NOT be forgotten or erased from conversation). Anyway, I began to see it as the story of SURVIVORS! From Africa to the Americas…these people SURVIVED all this brutality and came out of it on the other side yes bloodied but ALIVE and in many cases unbowed. So even with the painful acts and lingering anger at the entire institution of slavery in America, I feel blessed to know that I come from generations of these Survivors and I’d like to hope that their stories are told and heard by as many folks as can see or hear them, Black or white.
https://www.balloon-juice.com/wp-content/uploads/2015/11/balloon_juice_header_logo_grey.jpg00Adam L Silvermanhttps://www.balloon-juice.com/wp-content/uploads/2015/11/balloon_juice_header_logo_grey.jpgAdam L Silverman2016-06-05 11:00:522016-06-04 22:25:11Guest Post: lamh36's Final Reflections on Roots 2016
https://www.balloon-juice.com/wp-content/uploads/2015/11/balloon_juice_header_logo_grey.jpg00Adam L Silvermanhttps://www.balloon-juice.com/wp-content/uploads/2015/11/balloon_juice_header_logo_grey.jpgAdam L Silverman2016-06-04 23:59:392016-06-04 23:59:47Late Night/Early Morning Open Thread: Sleep Soundly
Unlike many of his peers at Marvel,Black Panther screenwriter Joe Robert Cole didn’t grow up a comic-book superfan, but he did have a soft spot for superheroes and a passion for storytelling. Fresh out of college at the University of California-Berkeley, Cole got his first gig writing for ATL, a 2006 film starring rapper TI and based loosely on the romance between producer Dallas Austin and singer T’Boz of the R&B group TLC. He went on to write and direct 2011’s Amber Lake, an eerie indie film about three half-sisters who turn on one another when questioned by the police about their father’s mysterious death. Most recently, he wrote an episode of FX’s acclaimed series American Crime Story: The People v. OJ Simpson.
Now, Cole, a product of Marvel’s two-year in-house writing program, is hard at work on the studio’s latest megaflick-to-be. The movie’s comic-book counterpart ran several volumes from the late ’70s to 2010, replacing the unfortunately titled 1960s comic Jungle Action, which featured the Black Panther, the genre’s first black superhero. The story revolves around warrior king T’Challa (Black Panther), who hails from the technologically advanced, fictional African kingdom of Wakanda—which has never been colonized, unlike the other countries on the continent…
MJ: What does it mean to you to be writing a black superhero?
JC: Black Panther is a historic opportunity to be a part of something important and special, particularly at a time when African Americans are affirming their identities while dealing with vilification and dehumanization. The image of a black hero on this scale is just really exciting. When I was a kid, I would change superheroes’ names: Instead of James Bond, I was James Black. Instead of Batman, I was Blackman. And I have a three-year-old son. My son will be five when Black Panther comes out. That puts it all into perspective for me…
MJ:In the comic books, Black Panther fought off a colonizer in Wakanda. He fought the Klan. He fought against apartheid in South Africa. Bringing the Panther into the present day, I’m curious how the recent activism around the treatment of black people by police might inform your story or your development of T’Challa as a character.
JC: Personally—and Ryan [Coogler] and Nate Moore, the executive producer—we all are cognizant of what’s going on in the world, in black communities, and in our country. We are aware of the importance of that, and the platform this movie provides us with. But I can’t give you the specifics.
MJ:Is Ta-Nehisi involved in the thought process for the movie?
JC: No. I’m a huge fan. It’s great that he’s writing the comic. But they’re separate entities…
Apart from planning our summer entertainment, what’s on the agenda for the evening?
Seven Samurai is the version I know, so I don’t have an allegiance to the “original” American remake. I adore Denzel Washington, I like Chris Pratt & Jennifer Lawrence, and Anton Fuqua’s Training Day was very good IMO. So we may not get around to seeing this in a theatre (the Spousal Unit does not have a strong stomach for on-screen violence), but I’ll watch it at home eventually.
On a rather different topic, while I am not qualified to have an opinion on Beyonce’s Lemonade, I know some commentors like Melissa Harris Perry’s work and you might have missed this, because Elle. And before you explain how separate you are from this topic, you might at least enjoy the way it sent Alex Jones a little further over the edge…
Apart from entertainment & arguing, or arguing about entertainment, what’s on the agenda for the day?
https://www.balloon-juice.com/wp-content/uploads/2015/11/balloon_juice_header_logo_grey.jpg00Anne Lauriehttps://www.balloon-juice.com/wp-content/uploads/2015/11/balloon_juice_header_logo_grey.jpgAnne Laurie2016-04-30 05:02:562016-04-30 05:02:56Saturday Morning Pop Culture Open Thread