Artists In Our Midst

As you’ve probably noticed I’ve been a regular contributor to Balloon Juice’s On The Road series that appears on these pages each weekday morning. My first contribution was on photo of the view of downtown Los Angeles from the Griffith Observatory in March of 2016. My next photo was submitted a year later and I began weekly submissions after that. While Alain’s mom was ill, I submitted 2 a week since Alain was concerned he might run out of content. After her passing and the resumption of On The Road, I’ve submitted one set a week; with a few week’s break after Alain passed.

Over a thousand of my photos have been featured on these pages in the “On The Road” threads. Most of my photos feature the historical and things off the beaten path here in Southern California. I’ve submitted a few from other places: Sacramento, Seoul, and Yosemite. Of course some of my most popular submissions have been my landscape astrophotography pieces as well as my deep space photography attempts. I’ve concentrated this year more on panoramas of the early season Milky Way as it arches across the eastern sky and light painted foregrounds with the Milky Way core as a backdrop.

My interest in photography began in junior high school when I took a photography class, learning about basic camera settings and how to develop and print photos. While in high school I shot hundreds of photos, developing and printing them in my converted bathroom darkroom. My photography took a backseat to my studies while I was an undergraduate at UCLA and a graduate student at the University of Washington.

In fact I didn’t take my Olympus OM-1 35mm camera to Seattle, which is one of my great regrets. Life continued to overtake photography as got my first job and life moved on. I didn’t even think much about photography except in taking photos on vacation and family moments and the primary camera in the house was my wife’s point and shoot 35mm Cannon. This changed when the one megapixel(mp) digital cameras first entered the market in the late 1990s. I was working in IT at the time and this seemed to be the perfect melding of my two interests.

I continued to upgrade my cameras, getting an Olympus 4mp camera, a Samsung 13mp camera, and finally the 16mp Samsung Galaxy Camera 2. The Galaxy Camera 2 runs on Android which means there was a wide variety of camera application that were available for it. Unfortunately, all of these cameras only shot in JPG or PNG file format which is a compressed format from what the camera reads from the sensor and limits what you can do in post production.

In September of 2015, I purchased the new Samsung NX500 which produced RAW files, which is what the sensor records and allows for a good deal of flexibility in post production(white balance, exposure, and noise reduction). The NX500 is a very small and light camera and is perfect for hiking. After trying to shoot infrared with the NX500, I purchased a used Samsung NX300 and had it converted for infrared shooting. In July of 2018, I purchased a used NX1, the NX500’s big brother. By that time Samsung had exited the standalone camera market, focusing(excuse the pun) on their cellphone cameras.

All of these cameras(also including the Galaxy NX camera I bought in 2019) produce great photos in daylight, but are hampered a bit by their APS-C(2/3’s full 35mm frame) sensor size in low light. I’ve spent a good amount of time and effort learning to overcome some of these limitations. While there’s a good deal of information about how to take and process photos on the internet, some of it is quite good and some of it is bunk. It takes a good deal of trial and error to separate the two.

Two methods of overcoming the limitations of my cameras is taking multiple shots and stacking them to average out noise and using a star tracker that compensates for the earth’s movement. All of these approaches mean more time in the field to capture the photo and more time in front of my computer at home to process the photo. When I showed a friend(who always tells me how much time I have for photography), my 360° photo of the Milky Way arch taken at Red Rock a few months ago and said how many shots and how long it took to just capture the scene, he remarked “that’s a lot of work”, yeah.

The past couple of years have been hard on artists, photographers included. While the government(both state and federal) have been helpful towards folk who work in the gig economy, many of those measures were not available to us. Early on, COVID did have a major impact on my shooting since many of the places I’d normally shoot(Joshua Tree, Red Rock, Griffith Park, etc) were closed. Many of these places opened back up after 3 or 4 months, but that’s not much help if you’re trying to capture something in the spring skies.

The other set of events that hampered my shooting last year were the disastrous California wildfires. Checking smoke conditions rivaled checking COVID conditions for the Summer and Fall last year. The final factor that limited my ability to get out and shoot was the declining health and eventual passing of my girls.

While COVID didn’t affect my photography too much, it did cause financial pain. I had planned to get a seasonal job in the Fall of 2020 to help reduce the draw down on my 401k. That was when the COVID positivity rate skyrocketed here in Southern California, reaching 21% late in the year.

In March, a couple of weeks after Conni passed, I was notified by my investment guy that my distributions from my 401k would stop and I was then waiting to be eligible for the jab to start job hunting. Nikki’s heath continuted to decline and that put it off until she joined her sister at the Rainbow Bridge. In June, I started working at the local Home Depot.

I set up a webstore to sell my photos in Spring of 2018 to supplement my income from early withdrawals from my 401k. I’ve made about $800 in profit from sales of prints. I started a Patreon in the Fall of 2019(great timing), to provided an opportunity for people who like my photos to help out. The Patreon has covered my expenses for the webstore and my Adobe software subscription.

So what will you see on my webstore? I have a number of catagories of photos grouped by type. If you want a Milky Way photo, just click on the menu and you’ll get a choice of different types of Milky Way photos. If you select “On The Road”, you’ll get a list, by date, of every one of my photos that have appeared on “On The Road” on Balloon Juice. Every photo can be purchased in a variety of formats(paper, canvas, metal) and have options for framing. I neither print, frame, or ship items in the store, they’re done by professional labs and framers via Smugmug who I run the store though. You can access my store by clicking on my nym or at the address: https://www.billinglendaleca.com/.

My Patrons get to see my photos right after I shoot and do the initial processing on them. They will usually see a set of photos, I think I’ve posted a minimum of one and maximum of 30, usually once or twice a week. Mostly these are newly shot photos, but sometimes I’ll post photos that I’ve newly processed, since over time I have new tools at my disposal and learned new techniques. My Patreon is at this address(it can also be accessed via a button on the main page of my webstore): https://www.patreon.com/BillinGlendaleCA.

I really want to thank my patrons and those folk who’ve purchased prints, you’ve really helped me a great deal by showing faith in my work.

Ascot Hills Park, Los Angeles, CAJanuary 18, 2020

One of the main subjects of interest when I started taking photos again was cityscapes. I would hike up to a hill high above the city and get shots and try to mitigate the haze(Los Angeles is a coastal city) and yes, smog. The really nice sunsets we get in LA add to the view. Here, the sun is setting behind downtown Los Angeles as viewed from the Ascot Hills northeast of downtown LA.

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Making Art Cloth – by Faithful Lurker

Art cloth is cloth transformed by adding or subtracting color, line, shape, texture, value, or fiber to create a compelling surface.

That is the classic definition of art cloth. Most cultures have a tradition of taking plain cloth and turning it into a more decorative form. The Japanese have raised this to a spectacular art form with shibori, resists and embroidery. Africans have a long tradition of using color, weaving and dyeing to make extraordinary cloth.

I love dyeing cloth. I really like watching the colors run into each other and become another color. Like a flower with different shades of color on each petal. I started dyeing fiber when I was a weaver. I dyed my silk yarn in patterned colors and then wove it into big pieces.

In the mid 80’s we, my academic husband and I, spent a year in southern China,120 miles north of Hanoi. We went home and then 8 months later spent 2 years in Malaysia. Traveling put a stop to weaving but in Malaysia I studied hot wax batik with an Indonesian master. That cemented my love of changing the color of cloth and taught me the wonders of cold water procion dyes.

The next 10 years I made batik silk scarves and handmade books. I didn’t pay attention to the revolution going on in the quilt world until much later. It was changing from hand pieced, intricate and traditional patterns into something much more open and freer in expression.

Needless to say, there was a lot of pushback from traditional quilters. My own guild almost broke up over the question of machine piecing and machine quilting as opposed to hand piecing and hand quilting. The big quilting show, Quilt National (https://dairybarn>quiltnational,) erupted when an art quilt instead of a traditional quilt won best in show. Then came the quilts of Gee’s Bend( https://www.soulsgrowndeep.org) community and art quilters never looked back.

I belong to a group of fiber artists called The Art Cloth Network (artclothnetwork.com). There are 32 of us scattered across the US and Canada. Many of our members have never made a quilt but they make art with cloth. Two organizations that support art quilts and art cloth are the Studio Art Quilters Association (www.saqa.com) and The Surface Design Association (surfacedesign.org).

Surface design is a baffler, any painter works on the surface as do most other artists. If you want to get into a fierce discussion, ask a sculptor or painter or any artist about the legitimacy of fiber art and whether it is art. And once you’ve negotiated that thorny subject ask casually about the difference between art and craft. And then stand back while the fight rages on for hours.

photo credits:  Myron Gauger
artshots.biz

Link to my website.

Let There Be Light. 44” X 56” Discharged and over dyed cotton

I principally do three forms of cloth dyeing, discharge, resists, and whole cloth dyeing Discharge involves removing color from cloth and then redyeing it.

Faithful Lurker – Making Art Cloth and Art Quilts!Post + Comments (82)