This “crisis actor” horseshit is a song as old as rhyme:
Sixty-one years before teens at Marjory Stoneman Douglas High School in Parkland, Fla., would survive a mass shooting only to be labeled “crisis actors,” the nine African American teens who braved racist crowds to enroll in Little Rock Central High School in Arkansas were also accused of being impostors.
False rumors that the Little Rock Nine were paid protesters even forced the NAACP to issue a statement condemning the stories as “pure propaganda.” The students were not, in fact, “imported” from the North, said the NAACP’s Clarence A. Laws, but rather the children of local residents, including veterans.
Trump has been retweeting from a right wing nutjob who blamed Sandy Hook on crisis actors, so don’t tell me this ain’t a big deal. Unless, of course, you’re a New York Times White House correspondent:
For White House reporters, however, the rhetoric isn’t a top everyday concern. “The people who say this has a broad impact on society and the credibility of the media and so forth and so on, I get their point,” said New York Times White House correspondent Peter Baker at a Tuesday night event hosted by the White House Correspondents’ Association. “I don’t dispute that. In terms of my job, worried about working as a reporter in the White House, it doesn’t have that much impact. I mean, it’s just theater.” Baker said he would get “more worked up” if the name-calling “leads to specific limitations on access or our ability to do our jobs.”