Breitbart Big Ho editor / Hollywood flop John Nolte dislikes the film “Extremely Loud and Incredibly Close” because – get this – it “exploits 9/11:”
The film’s biggest problem is that, to put it bluntly, it exploits 9/11. Thomas could’ve died just as easily in a plane crash or boat accident without a single element of the story having to change. For Daldry (working off a novel by Jonathan Safran Foer) to use one of the biggest crimes ever committed against this country as a “device” is truly repulsive and a symptom of a Hollywood bubble so impenetrable that a group of people with the power to make a multi-million dollar film actually thought it was okay to say 9/11 is all about …. me.
God, that’s funny, in a “Union Carbide Bhopal executive complains about worker flatulence” kind of way. Has there ever been a group that has exploited a national tragedy to silence opponents and enact a radical, ruinous agenda as efficiently as the modern GOP humped 9/11 for fun and profit? If so, I was mercifully not alive for it.
John Nolte, whose writing recalls the elegance of Nick Nolte’s mug shot, goes on:
According to [Director Stephen] Daldry and company, what 9/11 is about, though, is the opportunity for a nine-year-old “amateur inventor, Francophile, and pacifist” to trot off on a narcissistic journey of self-discovery while banging his precious tambourine and providing his precious voice over and meeting all the precious people in the precious city of New York. And in the film’s most racially patronizing scene, meeting a group of precious Christians who are of course, Black.
And there you have it in a nutshell, ladies and gents. Wingnuts despised New York City before 9/11 for the same reasons they hate Hollywood, and their grievances against it would match up point-for-point with the Talibans’. Except the Taliban probably don’t hate “the Blacks” as much.[X-posted at Rumproast]